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Cartier Panthère
- Regular price
- $195 USD
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Silently stalking its way through Cartier iconography for a century, the panther is the proud leader of the pack of precious animals that make up the famous Cartier menagerie. No other creature or jewel is quite so indissolubly and emotively connected to outstanding 20th-century women of style, t...
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If you wish to return your order for any other reason, we allow exchanges or merchandise credit only within 14 days of delivery. No refunds. Exchanges can only be made for items of equal or higher value. Please note you will be responsible for the return shipping cost. Please email us to begin the return process. Items must be returned in the same condition in which they were received and within 14 days of the delivery date. Exchanges and credit are applicable only at the original point of purchase.
If you wish to return your order for any other reason, we allow exchanges or merchandise credit only within 14 days of delivery. No refunds. Exchanges can only be made for items of equal or higher value. Please note you will be responsible for the return shipping cost. Please email us to begin the return process. Items must be returned in the same condition in which they were received and within 14 days of the delivery date. Exchanges and credit are applicable only at the original point of purchase.
THE PANTHER IN ART. Bérénice Geoffroy-Schneiter, regularly contributes to art magazines including Beaux-Arts, L’Œil, L’Objet d’art, Le Journal des Arts. She has published numerous books and she curated the exhibition Voyage dans ma tête, la collection de coiffes ethniques d’Antoine de Galbert, at the Maison Rouge in Paris in 2010. With Assouline she has published many books, including Ethnic Style (2001), the two-volume Primal Arts (2005–06), and most recently Van Cleef & Arpels (2014).
EVOLUTION OF THE CARTIER PANTHER. Vivienne Becker is a contributing editor to Financial Times’s How to Spend It magazine, writes for newspapers and magazines around the world, and lectures and broadcasts on her subject. She organized and wrote the catalog for the first major exhibition of the jewelry of René Lalique, and curated Jewels of Fantasy, a traveling exhibition of 20th century costume jewelry. Becker’s previous books for Assouline include The Impossible Collection of Jewelry (2012), and Sevan Biçakçi (2014).
CREATION OF A CARTIER PANTHER. Joanna Hardy began her career as a goldsmith before working at De Beers as a rough diamond appraiser, and at Sotheby’s in Bond Street as senior jewelry specialist and auctioneer. Hardy established the Jewellery School of Excellence program, lecturing and conducting master classes worldwide, she has published Collect Contemporary: Jewelry and Emerald: Twenty-One Centuries of Jewelled Opulence and Power with Thames and Hudson, and is a regular contributor to The Telegraph’s Luxury magazine and The Wall Street Journal.
THE PANTHER AS CULTURAL ICON. André Leon Talley was a Vogue contributing editor and the magazine’s former American editor at large. In 2014 he was named artistic director of Zappos Couture, and he had been on the board of trustees of Savannah College of Art and Design, Georgia, since 2000. Talley had written several books, including Valentino (1982); A.L.T.: André Leon Talley (2003); Little Black Dress (2013); and Valentino: At the Emperor’s Table (Assouline, 2014).
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