James Bond Style Exhibition at Maison Assouline: A Retrospective of Iconic Costumes

From October 5 to 8, Maison Assouline in London was awash in cinematic iconography with its exclusive exhibition celebrating the iconic style of James Bond and Assouline’s latest title, James Bond Style. This showcase invited fans to immerse themselves in the world of 007 archival fashion, featuring costumes and original concept drawings that highlighted the artistry behind the legendary franchise. To complement the experience, Maison Assouline hosted a series of bond-themed cocktail classes, where attendees learned to craft the perfect Vesper Martini while surrounded by the allure of Bond's sartorial legacy. 

As guests strolled through the Grande Salle, they explored a meticulously curated selection of costumes that defined Bond’s sophisticated aesthetic over the decades.

James Bond’s Tactical Outfit

In No Time To Die (2021), James Bond's navy tactical outfit, designed by Suttirat Anne Larlarb in collaboration with luxury cashmere brand N. Peal, modernizes a vintage British commando jumper from the 1940s. Crafted for agility and strength, this ensemble symbolizes Bond’s resilience during his final moments on Safin’s island. As Larlarb notes, “It had meaning on multiple levels,” marking a poignant end to Daniel Craig’s portrayal of 007.

James Bond's Tom Ford Suit

In Spectre (2015), Bond's elegant train costume, designed by Jany Temime, features a stunning Tom Ford white dinner jacket with a red carnation—a nod to Sean Connery in Goldfinger (1964). Worn during the Moroccan train dinner scene with Madeleine Swann, this ensemble exemplifies Bond’s timeless sophistication. The silk-blend tuxedo, with padded shoulders and faille peak lapels, is paired with Tom Ford evening pants and Crockett & Jones shoes, solidifying it as one of Bond’s most memorable outfits.

Fiona Volpe’s Blue Cocktail Dress

Fiona Volpe’s cocktail dress, designed by Anthony Mendleson for Thunderball (1965), is a stunning ice-blue silk creation embellished with lurex thread and ostrich feathers. This exquisite outfit, featuring a matching hand-made feather boa, is iconic during the Kiss Kiss Club scene where Volpe seduces James Bond before her demise. With a signature quip, Bond remarks, “Mind if my friend sits this one out—she's just dead!” This moment cements the dress's place in Bond history.

Fiona Volpe’s Christian Dior Necklace

Fiona Volpe’s Christian Dior necklace from Thunderball (1965) features vari-shaped imitation diamond flower head clusters with marquise rhinestone petals. Supervised by wardrobe mistress Eileen Sullivan, this statement piece enhances Volpe’s alluring yet deadly persona. Worn during pivotal moments, particularly when she seduces Bond, the necklace embodies her seductive yet dangerous character, capturing the essence of 1960s glamour.

Major Anya Amasova’s Blue Evening Gown

Major Anya Amasova’s gown from The Spy Who Loved Me (1977) is a navy silk jersey dress adorned with Swarovski crystals, designed by Baroness Franka Stael Von Holstein and costume designer Ronald Paterson. Worn by Barbara Bach, Amasova makes a memorable entrance at Cairo’s Mujaba Club, confidently ordering a vodka Martini for Bond (Roger Moore) before facing the formidable Jaws (Richard Kiel) at the Great Hall of Columns. The gown underscores Amasova's poise and resourcefulness, highlighting her role as a key player alongside Bond.

Le Chiffre’s Three Piece Dinner Suit

Le Chiffre's costume from Casino Royale (2006) features a striking black velvet three-piece dinner suit designed by Lindy Hemming. Crafted by tailor Chris Kerr, the chic silk velvet evening jacket, matching waistcoat, and trousers emphasize Le Chiffre's character as a menacing villain operating in a shadowy world. Unlike the flashy outfits of fellow gamblers, his monochromatic attire—paired with a black Turnbull & Asser shirt and John Lobb loafers—highlights his calculated demeanor. A notable scene at the poker table showcases Le Chiffre (Mads Mikkelsen) engaging in high-stakes betting, projecting danger and intrigue.

Elektra King’s Femme Fatale Dress

Elektra King’s final costume from The World Is Not Enough (1999) showcases a blend of high fashion and character depth, designed by Lindy Hemming. The ensemble features a luxurious Ungaro beaded bodice adorned with intricate French lace, paired with a striking Versace silk skirt that splits from hem to waist. This dramatic outfit emphasizes Elektra's duality as both a femme fatale and a victim. During her climactic scenes with Bond (Pierce Brosnan), the costume reinforces her elegance and power, leaving a lasting impression that mirrors her complex character arc.